19th Century Theories in Dostoevskys Crime and Punishment Essay

19th Century Theories in Dostoevskys nuisance and punishment   I teach you the Super humanity. Man is something that has to be surpassed. What have you through with(p) to surpass him? These words said by Friedrich Nietzsche encompass the theories present in Dostoevskys nineteenth century novel, Crime and Punishment. Fyodor Dostoevsky, living a life of ache himself, created the character of Raskolnikov with the preconceptions of his own sorrowful and struggling life. Throughout his exile in Siberia from 1849-1859, his sentiments of suffering, sorrow, and the parking area man surfaced and heightened, inspiring him to begin writing Crime and Punishment in 1859.         The main motif in this novel is that of suffering. It is apparent that all in all characters, major and minor, experience some sort of internal or foreign affliction. The overall theme of the work is that all mortal men suffer, and that repurchase brush aside not be obtained unless t his anguish is present. Dostoevskys protagonist, Raskolnikov, must evolve and consummate this fact to overcome his conflicts and reach the salvation of peace and tranquillity. Volumes and volumes of critique can be written on where this suffering originated, but Dostoevskys main concentration and focus is not where, but why suffering must constitute and how this suffering can be overcome. This is seen from the fact that throughout the six sections of the novel, scarcely one section is focused on the origin of the torment - the Crime, and the remain five sections are concentrated on Raskolnikovs path to overcoming this anguish - the Punishment.         By focusing solely on the punishment, the internal an... ... all serve a justified purpose in benefiting his moral and rational states. He overcomes the common man through the salvation he obtains from this linear evolution of trials. He suffers not from Marxist classes, but from internal struggle, e xcluding him as a piece of the proletariat, or common man. Though not physically or emotionally fit to survive, his confession becomes his salvation, his survival, and his disclaimer in the Darwin theory of surviving. The common man may survive because he is fit to survive, but Raskolnikov survives because he chooses to survive. distant Freuds theory that the everyday man lives his life through his ego, Raskolnikov makes his decisions based on his superego, doing things not just because it would be rational, but because that it the way it should be done.  So then, Is Raskolnikov a Superman? Yes.